Tag Archives: Marie Cameron

Conversations With Culture

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I’m very excited to be exhibiting in “Conversations With Culture” at Iwasawa Oriental Art, 75 Universtiy Ave in downtown Los Gatos! It’s an exhibition arranged by Gallerist, Kumiko Iwasawa Vadas in her gorgeous, authentically Japanese Gallery to be part of Asia Week San Francisco Bay Area 2018! Like Asia Week, the show runs October 5-14 and there is a special reception TODAY from 1-5 pm with exhibiting artists, Hiroko Ohno, James Ong, Lorraine Lawson, Patrali Paul, Evelyn Consorti and myself giving artists talks (maybe around 2 pm). The show is free and there will be wonderful refreshments.

Artists are like sponges, soaking up all kinds of influences along their path but what they squeeze out in their work should not be a mere imitation of something they’ve seen before but something new, filtered through their own idiosyncratic prism of experience, perspective and vision. The paintings I create are rooted in my own personal narrative and the manner in which I handle paint, color and line are certainly my own but I feel there is a certain Asian resonance when it comes to composition and depth of field in many of my paintings. There is also a shared reverence for the beauty of nature and sense of season.Having said this, It is quite natural that when I paint a flowering cherry branch or a lily floating on a pond, or a peony in full bloom, I can’t help but think of all the exquisite depictions of these very flowers by Japanese and Chinese artists over the centuries and this rich tradition will inevitably pull me in that direction. But it happens even with less obvious subject matter. My paintings have been made better through my exposure to Japanese prints and Chinese brush paintings as well as their influence on artists I much admire like Whistler, Van Gogh and Monet. Often this cultural conversation is taking place in our heads without us even realizing it! I will be showing the following Asian influenced paintings that I have done over the years and I will talk about how this influence came about and how it has affected my work.

Beijing Grey
Oil on canvas
48″ x 30″

Pond Lily Magenta
Oil on canvas
24″ x 24″

Mr. Katayama’s Peony
Oil on canvas
24″ x 24″

 

 

Together We Will at RISE!

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Karla Albright of the Los Gatos chapter of  TWW/Indivisible Los Gatos caught the Gutfreund Cornet Art show, RISE: Empower, Change and Action!, the day it opened and approached Whitney Modern for a special tour so the rest of her group could take it in! Though it is a national exhibition, a number of Bay Area artists were happy to get together again and share some of the inspiring motivations behind their social justice work in the gallery.

Please note that if you click on any of the names of artists and organizations, etc, in bold in this post, you will open a link to their website!

Suzanne Whitney Smedt, welcoming us all to her beautiful contemporary art gallery, Whitney Modern, located on the second floor of 24 N Santa Cruz Ave in downtown Los Gatos. The gallery typically represents twelve fine artists but has teamed up with Gutfreund Cornett Art for this specific summer show curated by Karen Gutfreund, Sherri Cornett, Marianne McGrath and Suzanne Whitney Smedt.

Karen Gutfreund reading Maya Angelou’s poem, Still I Rise from the exhibition catalogue, on which Ceciley Blanchard (Jackson Tennessee) had based her photographic series. I love hearing that read (or sung by Ben Harper)!

Irene Carvajal (Belmont, California) with her (what) do YOU think? desk with the positive  messages we’d wish we’d grown up with carved into the wood. You can even take rubbings with the graphite pencils and paper provided, if there is a resonating message you’d like to bring home with you.

Priscilla Otani (San Francisco) with her original braille art book, Political Action Group on democratic women in congress and democratic women running for congress – copies available at the gallery have all sold out but you can still order them through Amazon!

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) with her monotype, oil, paper and string on panel piece, Bound and her mixed media installation, In a Constant State of Rising and Falling.

Winnie van der Rijn (San Carlos, California) with her photographic image transfer and embroidery on muslin pieces, One Size Fits All.

When it came time for me to speak about my painting, In the Pink, I shared how I believed that the Pussy Hat (originally co-created by Krista Suh) became such an immediate, global, viral icon of the Woman’s March because it employed such a feminine voice. It took knitting, a traditionally feminine craft, one that we do with our hands, and our hearts, in our homes or together in groups, using soft, warm, pretty and fuzzy fibers and often give as gifts to one another to wear with pride (a bit of kitty humor) saying in our sea of pink that, “We see you Pussy Grabber in Chief and we do not approve, we will not forget, and we will stand together and march for our rights.” Even the metaphor of knitting one stitch, connected to another, and another, collectively making something bigger than ourselves, is so perfect!

Rinat Goren (Woodside, California) with her beeswax, pigment and paper paintings, Finding Points of Agreement 1 and Finding Points of Agreement 2.

Irene Carvahla (Santa Cruz, California) with her acrylic, mixed media and image transfer, Ambient Thoughts.

Irene Carvajal (Belmont, California) with her screen print on paper, fan and plexiglass tank kinetic sculpture, Future Gains: the dollar is rising. She is selling individual bills to help fund her trip to the border to offer her language services to those families who are seeking asylum at the border and are too often being separated and denied their legal rights.

Chandrika Marla (Mountain View, California) with her acrylic on canvas painting, For Our Lives.

Karen Gutfreund standing with Jenny Reinhardt‘s mixed media on canvas painting, Split the Sack, shared the dismall figures, of the percentage that women artists earn in comparison to their male counterparts, as well as how poorly they are represented in museum shows and what an incredible value their work actually is! Sales continue a pace at Whitney Modern and RISE has been extended to September 9th, 2018 to be included with ForFreedoms a 50 state activist art initiative!

Shannon Edwards from TWW/Indivisible Los Gatos thanking the Whitney Modern and the artists for the evening. Together We Will as a grassroots civil engagement movement that helps to lobby for progressive initiatives, supports candidates and sponsors local events was the perfect audience for RISE! It’s so great to join together like this!

Artist, Winnie van der Rijn and author and speaker, Nilofer Merchant.

RISE! Pano Power

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In my continuing documentation of RISE: Empower, Change and Action!, the Gutfreund Cornett Art exhibition at Whitney Modern, I’d like to explore the power of the pano and it’s potential to give the illusion of being in the gallery and experiencing the flow of the work….

RISE! Reception!

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Wow! This Show!

The Gutfrend Cornett Art exhibition, RISE! Empower, Change and Action Reception and Artist Talk and Walk at Whitney Modern in Los Gatos, California last Saturday was completely uplifting and inspiring with artists as far away as New York sharing the moving inspiration and fascinating stories behind their work.The exhibition is intended to create a dialogue between artist and community together over important issues feminist issues of out time. Click on artists names for links to their websites where available.

The girl blowing bubbles on the cover of the exhibition catalogue came to life welcoming quests to the reception.

Three of the four fabulous curators, Suzanne Whitney-Smedt, (Gallerist of Whitney Modern) Marianne McGrath (Independant Curator), Karen Gutfreund (Activist Curator at Gutfreund Cornett Art and Arist) that pulled together this fabulous exhibition, standing in front of Vanessa Filley‘s (Evanston, Illinois) archival pigment print on cotton rag paper pieces, #Me Too, Minerva Looking, #Me Too, Assata Toward, #Me Too, Gabriela, The Futrure and bedside Indira Cesarine‘s (New York, New York) neon piece, Equal Means Equal. The fourth fabulous curator, Sherri Cornett (Activist Curator at Gutfreund Cornett Art and Artist), was unable to make the reception, and was greatly missed!

Karen Gutfreund, engaging the audience, earlier she had read Maya Angelous’s poem, Still I Rise, in honor of Ceciley Blanchard (Jackson Tennessee) who had based her photographic series, (included in the catalogue) on this poem and was unable to make the reception where she had hoped to recite the poem herself.

Gathering to view the work of Carolyn Doucette (Tiburon, California) and Sarupa Sidaarth (Tiburon, California)

Love how the In a Constant State of Rising and Falling installation floats in the “atrium” between Whitney Modern above and Gallery 24 below.

Artist Walk and Talk around the gallery where each artist would speak briefly about their contribution to the show.

Me with my oil on panel painting, In the Pink.

Dana Richardson (Scotts Valley, California) with her oil paintings Burning Woman and Millennial Woman.

Irene Carvajal (Belmont, California) with her screen print on paper, fan and plexiglass tank kinetic sculpture, Future Gains: the dollar is rising. She is selling individual bills to help fund her trip to the border to offer her language services to those families who are seeking asylum at the border and are too often being separated and denied their legal rights.

Maeve Grogan (Bend, Oregon) with her Mixed Media and Flashe acrylic painting, Noise & Space Game.



Mague Calanche (San Francisco, California) with her acrylic, oil  and wax on wood painting, Todas Trabajamos, Hasta Las Ninas.

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) with her monotype, oil, paper and string on panel piece, Bound.

Penny McElroy (Redlands, California) with her graphite, colored pencil, digital composite, encaustic, metal thread with LED piece, sweet fragrant spring.

Jenny Reinhardt (Summit, New Jersey) with her mixed media on canvas painting Split the Sack and Karen Gutfruend.

Amy Pleasant (Mill Creek, Washington) with her acrylic painitngs, Something Worth Waiting For and On Her Shoulders.

Chandrika Marla (Mountain Vew, California) with her acrylic on canvas painting, For Our Lives.

Rinat Goren (Woodside, California) with her beeswax, pigment and paper paintings, Finding Points of Agreement 1 and Finding Points of Agreement 2.

Winnie van der Rijn (San Carlos, California) with her photographic image transfer and embroidery on muslin pieces, One Size Fits All.

Karuna Gutowski  (Santa Cruz, California) with her acrylic, mixed media and image transfer, Ambient Thoughts.

Paula Bullwinkel (Bend Oregon) with her oil on canvas painting, So The Darkness Shall Be The Light And The Stillness The Dancing.



Sally Edelstein (South Huntington, New York) with a print of her monumental collage, Women’s Lib-A Storms Approaching.

Roberta Aherns (Petaluma, California) with her plaster embedded fiber and acrylic painting on box frame painting, Sepia Dahlia.

Sondra Schwetman (Arcata, California) with her silk, pigmented sewing pins and steel sculpture, Witness. This piece was a Special Award Winner by guest juror, Joan McLoughlin of Mcloughlin Gallery in San Francisco!

Brian Rothstein (Vallejo, California)  with his oil painting on canvas, Be Gentle 1.

On the far left of this photo is the monitor displaying even more amazing work that is included in the catalogue but for which gallery space would not accommodate. On the right is Marisa Govin‘s (Talent, Oregon) watercolor on paper painting, Ñust’as.

Pages from Gloria Matuszewski ( Novato, California) mixed media, Altered Book, Gray’s Anatomy.

Gina Herrera‘s (Bakersfield, California) assorted found materials sculpture, Jaunting for Restitution.

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) upstaged by her clear umbrellas, fishing line, silkscreen or laser cut plexi installation, In a Constant State of Rising and Falling.

Viewing Nayda Cuevas (Arlington Massachusetts), oil and panel paintings #latina:Reclaimingthelatinatag.

Anitra Frasier (Dolton, Illinois) was a Special Award Winner chosen by guest juror Jessica Porter (Arts Bussiness Strategest, New York, New York) for her oil on wood painitng, I Think It’s Going To Rain Today, on the left. On the right is Kelsey McDonnell’s (Buffalo, Wyoming) acrylic on canvas painting, Learning to be a Phenomenal Woman, #6 Balancing Time and Energy who was also chosen as a Special Award Winner by guest juror, David Weinberg, (Executive Director of Weinberg Newton Gallery, Chicago Illinois) for her acrylic on canvas painting, No Turning Back.

Sally Edelstein speaking on her work.

Maeve Grogan describing the meaning behind her work. A glimpse of Beth Lakamp’s (Fenton Missouri) watercolor on clayboard panel, that’s the idea and she told them so.

And my favorite photo from the reception, my muse for my oil painting, Feathers hanging with my favorite bubble girl!

A distant peek at Sarupa Sidaarth‘s (Tiburon, California) acrylic, googly eyes, eyelets on canvas painting, Shh.

The League of Women Voters, a non partisan group, had volunteers available at the gallery to register people to vote. Make your voice heard and Vote! 46.9% of those eligible did not vote in 2016 and look where that got us! in the background you can catch a glimpse of Blond Jenny‘s ( Edison New Jersey) c-print, Womanhood, Lindsey Carrell‘s ( Billings, Montana) oil and egg tempera on panel painting, Translate, and Shelly Floyd‘s (Round Rock, Texas) acrylic on paper painting, Struggle to Rise.

RISE! – Incoming!

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I brought in my painting, In the Pink, to Whitney Modern on Friday, for the upcoming Gutfreund Cornett Art show RISE: Empower, Change and Action! and was delighted to find the exhibition catalogues hot of the press! It tells us about Gutfreund Cornett Art with its vision of “Changing the World Through Art” and Whitney Modern a much needed Contemporary Fine Art Gallery in the heart of the Silicon Valley,  the curators of the show, Gutfreund Cornett Art, Marianne McGrath and Suzanne Whitney-Smedt, the guest jurors: Jessica Porter, Kelsey McDonnel and Joan McLoughlin (and all the special award winners) and documents all of the art in the show with artists comments about their pieces.  There are also two important essays on the importance of social activist art and engaging with community by Sherri Cornett and Karen Gutfreund.

Gallerist, Suzanne Whitney-Smedt and Curator / Artist, Karen Gutfreund, (curators for the exhibition along with Sherri Cornett and Marianne McGrath), graciously modeling the new catalogue for me. Catalogues are available at Whitney Modern while supplies last or through Amazon.

165 pages of gorgeous images and inspiring content!

See?

Santa Cruz artist, Karuna Gutowski was bringing in her Ambient Thoughts painting just as I was leaving. It’s in the bottom right corner, just below Scotts Valley artist, Dana Richardson‘s painting Burning Woman. Can’t wait to see the rest!

The exhibition runs July 18 – August 31 with an opening reception and artist talk Saturday July 21 12:30 – 3:30pm. 24N Santa Cruz Ave, Los Gatos, California.

Save the Date for Rise!

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Whitney Modern, in collaboration with Gutfreund Cornett Art, and guest juror Joan McLoughlin of McLoughlin Gallery, San Francisco, are pleased to present Rise: Empower, Change, Action! This juried exhibition features selected works in the gallery by thirty-six artists from locations around the country and additional twenty-five artists on a looping slideshow on a monitor in the gallery. If you are in the area, please join us for the reception and artist talk for Rise, Saturday, July 21, 12:30 – 3:30 pm (talk at 2:30).

RISE: Empower, Change and Action! brings artists into dialogue and brings forth what is important to self, community, our nation and the world at large through art that reflects on, addresses and seeks solutions for a more positive, empowering future, particularly for self-identified women and girls as well as their families. It is underpinned by the feminist principle that believes in political, economic and social equality for all. RISE emphasizes the commonalities of our human experience.

Join the conversation and see paintings, sculpture, printmaking, photography, collage and installations that speak for equality, independence and human rights while offering insight, healing and transformation.

Exhibition runs July 19 – August 31, 2018 hours Wednesday – Saturday: 11:00 – 5:30, Tuesday by appointment.
Whitney Modern Gallery 24 N. Santa Cruz Avenue, 2nd floor (no elevator), Los Gatos, CA

In the Pink and Feathers in Rise

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I have some very exciting news to share, both of my paintings, In the Pink and Feathers have been selected for Rise, a nationally juried show organized by Gutfreund Cornett Art in conjunction with Whitney Modern that will run July 18 – August 31, 2018 in Los Gatos California. For a preview of the inspiring and powerful work included in this exhibition, curated by Suzanne Whitney-Smedt, Marianne McGrath and Gutfreund Cornett Art, visit GutfreundCornettArt.com where you can also see who won the Special Recognition Awards, selected by Jessica Porter, David Weinberg and Joan McLoughlin!

“RISE: Empower, Change and Action! seeks to bring artists into dialogue and to bring forth what is important to self, community, our nation and the world at large through art that reflects and addresses complex socio-cultural issues and focuses on a vision for a more positive, empowering future, particularly for self-identified women and girls as well as their families. It is underpinned by the feminist principle that believes in political, economic and social equality for all.” – from the show’s prospectus.

Such an honor to be exhibiting with this great array of artists working for empowerment, equality and social justice!  Mark you calendar, the reception will be held at the Whitney Modern, 24 N Santa Cruz Ave (on the second floor) Saturday, July 21, I’ll post the exact time closer to the date.

 

In the Pink – 2017 – oil on cradled panel

 

Feathers – 2013 – oil on canvas

Liminal Deer – work in progress

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Lots of time to waffle on a title for this quadriptych as I try to claw back some time time in the studio! I see these leucistic deer as liminal figures in a dormant California winter landscape that is cut through by a highway – traces of which have caught the deer’s attention as the headlines of an oncoming car approach.

Blooming Deadwood at Iwasawa Oriental Art

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I am very honored to be exhibiting Blooming Deadwood at Kumiko Iwasawa Vadas’ gorgeous gallery, Iwasawa Oriental Art in downtown Los Gatos where Every objet d’art is carefully selected for not only it’s craftsmanship but how it artfully reflects the season and relates to its neighbor! Thanks to Lorraine Lawson, David and Kumiko for your help with the install!

Unveiling.

Measuring.

Placement.

Hanging.

Leveling.

Happy artist and gallerist.

You can take the girl out of the valley, but you can’t take the valley out of the girl! I grew up in the Annapolis Valley of Nova Scotia with it’s orchards flanked by basalt mountains and now I find myself in the Santa Clara Valley, formerly known as Valley of Hearts Delight, famous for its orchards and now more commonly referred to as Silicon Valley. I adore how my painting, Blooming Deadwood, has been paired with Ken Matsumoto’s stunning Floating Usu, carved out of basalt!

I love the relationship pieces have with each other at Iwasawa Oriental Art, especially this Meiji period vase and bird with Blooming Deadwood as a backdrop, can you feel spring coming? I am told their will be cherry blossoms in a few weeks!

Galaxy by Hiroko Ohno, pigment and acrylic on paper mounted on wood panel.

Giclée of Tokyo Waterfall by Hiroko Ohno.

Also, Iwasawa Oriental Art will be conducting their first calligraphy class of 2018 with Kihachiro Nishiura January, 11th e-mail iwasawaart@comcast.net or contact them at (408) 395-2339 to reserve a spot.

Artist Walk and Talk – NUMU

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Join me for an Artist Walk and Talk with NUMU’s Waterlines artists, Christel Dillbohner, Theodora Varnay Jones, Danae Mattes, Linda Simmel and curator Marianne McGrath along Los Gatos Creek Trail this Tuesday, January 9th (rain date – Thursday, January 11th). We will be meeting at 11:00 am at New Museum Los Gatos. Learn about the artists’ practices and connections with the natural environment, and the role that hiking plays in creativity and problem solving. After the hike, everyone is invited to return to NUMU for refreshments, an exhibition tour and continued conversation.

Tickets are available at NUMU – $10 general admission and free to members.

The hike (which I do regularly) is fairly moderate with some rises and falls – good footwear is essential and hiking sticks can be very helpful in areas with loose gravel.

Here’s a little preview of some of the great views along the trail which I had snapped on a recent hike with Marianne McGrath.  Let’s hope for great weather!

 

Red Wheelbarrow 2017 Launch and Reading

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What a transporting evening of poetry and prose at the Launch Reading for the Red Wheelbarrow 2017 National Edition last night! So excited to be with curator and artist Sara Cole and editor Ken Weisner holding my very own copy of Red Wheelbarrow 2017!

The book, the painting, the artist, the curator and the microphone, warming up and ready to go!

Joe Miller of Works/San José hosting the launch and reading.

Rob Pesich of the Poetry Center San José and Ken Weisner, editor of the Red Wheelbarrow and a faculty member of the Creative Writing Department at DeAnza College.

Artist and poet Sara Cole was the Art Curator for this beautiful edition of the Red Wheelbarrow , she selected works curated for an upcoming show Repository, a group show of Bay Area Women.

Congratulations to Partridge Boswell from Vermont who read his poem “Pop a Wheelie” which took 1st place in the inaugural Red Wheelbarrow Poetry Prize!

Lauren Goldstein, from New Mexico (Poetry Prize Finalist) reading “Elegy with Feathers”.

I’m happy to report that poetry is alive and well, heartbreaking, hilarious, tender and kicking! Go get some! Go write some!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

¡Red Wheelbarrow Book Launch!

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How exciting…. the book launch for the national edition of the Red Wheelbarrow is this Tuesday, December 12 from 7-9 pm at Works/San José, 365 Market Street, San Jose, California!  Doors open at 6:30pm and performance begins at 7:00pm.
Free appetizers and affordable wine, beer and soda. Suggested admission $2 – but no one will be turned away.

Books will be available for purchase with my painting Magnolia Tea II smack-dab on the cover!  This volume of art, poetry and prose was compiled by Ken Weisner who invited Sara Cole to curate the art which includes work by:

Pilar Agüero-Esperanza
Jhina Alvarado-Morse
Natalya Burd
Marie Cameron
Sara Cole
Kim Frohsin
Kristin Lindseth-Rivera
Mila Libman Starbird
Margaret Wherry

Featured readers from the new issue of Red Wheelbarrow and from the Red Wheelbarrow Poetry Prize will include:

Len Anderson
Rose Black
Dave Denny
Alex Giardino
Rosie King
Lita Kurth
Peter Nash
Dion O’Reilly
Lisa Allen Ortiz
McTate Stroman II
David Allen Sullivan
Aimee Suzara
Robert Sward
Cynthia White

In celebration of the Red Wheelbarrow Poetry Prize:

Partridge Boswell, from Vermont
Gary Young
Lauren Goldstein, from New Mexico
Susan Kelly-Dewitt

Fade – Reception

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I had such a wonderful time at my Fade reception at Vargas Gallery last night!  I was told that it was the best attended solo show in the history of Vargas Gallery (since 1986)! A BIG THANKS to everyone who came out – artists, friends, curators, students, collectors and faculty! I feel very honored to show in this space and to have such a great community come out and support me! A special thanks to Lynne Todaro for inviting me to exhibit this work which spans a decade, to my collectors who lent back some key pieces for this show and to Ashley for her help with the install and staffing the show! All the albino deer cookies were snapped up and three more paintings were sold!

An albino deer cookie and it’s inspiration, Bed of Ghosts.

With George Rivera (Artist, Instructor, Curator),  Kristin Lindseth-Rivera (Sculptor, Instructor), Marianne McGrath ( NUMU Curator) and Lynn Todaro (Sculptor, Instructor, Director)

With Tamera Avery (Painter), Kathryn Arnold (Painter), Rozanne Hermelyn Di Silvestro (Painter, Graphic Designer), Karen Gutfreund (Artist, Curator) Susan Kraft (Painter) and Hadi Aghaee (Painter) to mention a few.

I love it when people take a pic with a painting, it is such a compliment! This student had an interesting take on the deer in the nest feelings like birds eggs – such a great fragility association!

Tamera Avery & Kathryn Arnold at the Fade Reception – Vargas Gallery.
I know both of these wonderful artists through the Triton Museum of Art. Tammy has two fabulous figurative paintings in the Salon currently, one (which I’m personally in love with) took first in painting! Kathryn had a stunning solo show, monumental assemblages of abstract painting on sheaves of paper inspired by specific selections of poetry and prose as I remember….how great to see and gab with you both!

Loved seeing my collectors David and Carol Ann!

My dear friend (and collector) Judy who has to be one of my biggest supporters!

Hadi was sweet to help me carry in my albino deer cookies!

Suki Ma has one of my Bird and Teacup paintings and kindly shared the reception with her Art Experience group!

Show continues at Vargas Gallery in the Gillmor Center of Mission College through to the 14th!

 

 

 

Fade – Artist Talk

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I was delighted to give an impromptu Artist Talk at Fade (my solo show at Vargas Gallery at Mission College) prompted by my friend artist Lorraine Lawson who kindly rounded up a great group which included people with backgrounds in galleries, marketing and art.  It is a special thing when artists come out to support other artists!

I loved sharing the stories behind these paintings, how I choose both medium and technique to help tell the tale and the symbolism I try to employ.

Telling the story behind Blooming Deadwood.

So nice to see artists Veronica Gross, Dotti Cichon, Lorraine Lawson and Linda Benenati! We are enjoying the suggestion that I get a scissor lift for my paintings like Hung Liu uses!

Sometimes you can better see what’s in your heart with your eyes closed.

Talking about employing chiaroscuro (light /dark) in both the lighting of the figure but also more figuratively in the lightness of the feathers and the darkness of the Bacchanal in the folding screen.

Talking about combining different experiences to create an image, the albino deer of Pine Mountain Lake, the dormant forest at Picchetti, a nest of branches at Kirkwood, the fawns that visit my backyard and the antler drops I have in my studio.

With gallerist Kumiko Iwasawa, Lorraine Lawson and designer Robin Sedgewick.

Kumiko Iwasawa in front of Blooming Deadwood – we spoke of exhibiting at her gorgeous gallery, Iwasawa Oriental Art, in the spring!

Fade Reception Date

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Yay!

Director Lynne Todaro and I settled on a date for my Fade reception at Vargas Gallery, Wednesday, December 6 from 4-7 pm. Perfect timing for students, between classes and between holidays. I’m delighted to hear that the show, which began Nov 8, has been getting a great response and I am looking forward to entertaining visitors at the reception! I hope you can join me if you are in the area!!!

These are some of the “artist with her work” shots taken at the exhibit to come up with a show promotion…

Such a lovely space! Vargas Gallery is located in the Gillmor Center in the middle of the Mission College Campus. Gallery hours are Monday  & Wednesday 11 am – 2 pm and Thursday 3:30 -6:30 pm.

 

Installing Fade my Solo Show at Vargas Gallery

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I was so delighted to throw together a last minute solo show for Vargas Gallery at Mission College! I’m calling it Fade – it’s a collection of my Fade to White work, exploring albinism and leucism in our flora and fauna, laced with larger pieces I’ve done over the years that touch on themes of vulnerability and tenacity, beauty and mystery.

The show will run November 9 – December 14 (Reception TBA) Thanks to Director Lynne Todaro for the opportunity and to Ashley at the gallery for her help setting up!

How much is that Doggie in the Window?

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“If there are no dogs in Heaven, then when I die I want to go where the dogs went.” – Will Rogers.

A pack of pooches were juried into the display in the front window of Gallery 24 for the month of November. Paintings are by Julia Watson, Kay Duffy, myself, Sandi Okita and Kevin Kasik.

Here’s a close up of my painting, Retriever in the Orchard, a 12″ x 12” oil on panel. I met this beautiful chocolate lab bounding through the historic apricot orchard in Saratoga  between rain showers and piano lessons one spring.