Champagne and Chocolate LGMG

We held a champagne and chocolate reception at the Los Gatos Museums Gallery on Sunday to usher in the new hang. It’s a great way to see the new work and meet the new artists that have joined our ranks!

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015- A.d. Ballantyne - Mother's Teacup - oil - detail

Here’s a lovely detail from A.D. Ballantyne’s oil, Mother’s Teacup, one of our newest member artists.

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

I love when life imitates art, in this case artist Rebex Nie was visiting the gallery wearing what could almost have been one of our member artist, Belinda Lima’s, collage paintings!

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

LGMG - Champagne and Chocolate 2015

We should really do this every Sunday! Actually, next Sunday from 3-6 pm Marie Pascal, our featured artist for August, will be hosting a reception for her exquisite watercolors which are hung on this central display above. Her works are so moving they literally brought one lovely visitor to tears. She’s just that good!

 

Inner artist, Inner scientist

Today I spoke at my first international symposium (albeit from the comfort of my own studio in Los Gatos)! I was surprised when out of the blue, Giuliano Reis (symposium chair from University of Ottawa) contacted me for permission to use my photograph for the symposium’s poster and more surprised still when he asked me If I might speak at the symposium as well!!! At first I was a little intimidated: Crossroads of Environmental and Science Education – what did I have to contribute?  The more I thought about it the more I realized that we were all concerned with communicating our ideas.

Artist are particularly skilled at identifying engaging images, laden with symbols and metaphors that communicate directly to the heart and tug at the deeper recesses of our minds for truths we already hold dear. I spoke about what that barnacle encrusted bottle in the poster represented to me, a triumph of the marine environment to overcome and even appropriate the trash we throw at it. The fragile glass bottle symbolizes not only a human technological achievement but our frailties and by throwing this into the sea our wanton disregard for the environment. It’s a symbol of hope in the face of our carelessness. What makes the image work though are other aesthetic elements: disparate combination of elements (barnacles and bivalves living in and on something that is not natural to the ocean) beauty, a pleasing palette, the bottle symbolizes the human element – which is important to engage people on an accessible, personal level. I guess a key to a powerful image that will stay with you is that it should not be didactic, it should just layout some things to mullover and puzzle out in your own head. Nobody wants to be told what to think. Everyone needs to come to it on their own journey.

Barnacle Buoys and Bottles - Marie Cameron 2014

 

Symposium - Marie Cameron

 

Barnacle Traces - photo Marie Cameron 2014

 

At the end of my talk I was asked if I considered myself a scientist. I said I was a keen observer and perhaps in this amateruish way I had something of value to say.  The questioner then told me it was meant to be a rhetorical question and that I was definitely a scientist! What a sweet thing to say!

This honorary scientist is thinking that if more of us discovered our inner artist and our inner scientist the world would be a way better place!

 

 

 

 

 

 

Estate Finds

You never know what you’ll find at an estate sale, especially one of an artist.

It’s fascinating to see how artists lived and worked and what they’ve left behind, objects too curious or inspiring to throw out, books they’ve read, souvenirs from trips they took, art left unfinished or unclaimed. It’s actually very comforting when I see the tell tale signs of a life filled with inspiration, travel and engaging work.

Objects I collect from these artists hold a special significance for me.

Estate Finds Cast Resin Turquoise Cross (prone)

A four inch turquoise cross cast in resin by a San Jose man who collected and polished natural stones.

Estate Finds Cincota Palette Knife Painting

A 16 x 20 inch palette knife seascape, oil on canvas marked Cincota from the estate of an unknown Los Gatos artist.

Estate Finds - Cover of Seed by Charles G. Norris Marie Cameron 2013

A book worm infested volume of Seed by Charles G. Norris, about the early agricultural days of our valley – artistically eaten away.

Estate Finds Seed Open Marie Cameron 2013Estate Finds Seed Loved Her Marie Cameron 2013

I love how some passages are gone for ever while others are revealed.

Estate Finds- Sample Prints by an Unknown Artist Marie Cameron 2013

A collection of small sample prints of an abandoned house and a field of flowers by the same unknown Los Gatos artist.

Estate Finds - Vintage Scapular Marie Cameron 2013

A vintage scapular of our Lady of Mt Carmel from her collection.

Estate Finds - Abalone Shells Marie Cameorn 2013

A pile of abalone shells used to decorate San Jose artist, Flo Hopkins Gray’s garden, which I use as bowls in my studio.

Estate Finds- Violets 10 x 8 oil on linen by Flo Hopkins

A painting of violets by Florence (Flo) Hopkins Gray, oil on linen, 10 x 8 inches who was a very prolific San Jose painter.

The day I went to her estate sale I was overwhelmed by room after room of her work, as well as the art in the garage and the overflow into the garden! I was impressed with the quantity as well as the quality of her work which she largely did in the sixties and seventies. I remember I was wearing a green mohair sweater, one my Grandma Ruth had made for my father, and I fell in love with this little painting that seemed to match me and my love of violets.  I was honored to have a piece of Flo’s work and it sits on my mantle where I can see it all the time and it reminds me to keep painting and carving out that life I love.

One day this will be me. What will I leave behind for strangers to sift through? I wonder what will they make of my bits of detritus, my treasure?