It’s that time of the year for my annual fix. My favorite rose is blooming in my friend Nilofer’s garden! It’s a David Austen climbing rose called Eden (rosa x meiviolin) Meiviolin was developed by Meilland.
These roses are perfect with their porcelain exterior petals and the crush of magenta petals at it’s center…
….which unfolds into a heavy pink cup.
A client who had purchased a paintings inspired by these roses for his girlfriend said that he could see women in these rose bud and blooms – I told him that’s how we saw ourselves too!
I received a lovely gift from a friend. Her father was a well loved gardener and upon his passing she found homes for many of the beautiful plants he had tenderly cared for. Not only do I have several of his beauty berry bushes and white tree peonies, but this glorious purple tree peony. I send my friend a photo of it blooming every year. What I really want is to do a painting for her. To that end I’ve been shooting it to see what I come up with as reference material – some of them stand up quite well as purely photographs. I’ve put them together here to see which ones she would prefer to have translated into a painting.
Above are very traditional ways of handling florals. A bloom in a vase allows you to isolate the form more clearly and the vase can provide a secondary subject matter as well as a base for the flower. I could envision loosing the vase entirely in the image directly above and continuing on with the grey patterned background in a drippy, painterly way.
The images below do obscure the vase and are shot from angles less typically used for paintings but are well suited for photography. These shots are more about light and lines and form and less a “portrait” of the flower and opens the door to elements of abstraction and it is fine that these flowers seem to be floating in space.
Both groups would work well for a painting, I think it’s a matter of traditional or contemporary taste. What do you think?