The Sky on his Back

The bluebird carries the sky on his back – Henry David Thoreau, Journal, April 3, 1852

Bluebirds in the Pepperberry Tree 9 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 1 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 2 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 7 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 8 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 5 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 3 - Marie Cameron 2014

Bluebirds in the Pepperberry Tree 4 - Marie Cameron 2014

Bluebirds in the AcaciaTree 1 - Marie Cameron 2014

Bluebirds in the AcaciaTree 11 - Marie Cameron 2014

Bluebirds in the Acacia Tree 10 - Marie Cameron 2014

Bluebirds in the Acacia Tree 6 - Marie Cameron 2014

So a little persistence and patience and I got my full color bluebird shots! This flock had been feeding off a pepperberry tree near Saint Luke’s, downtown Los Gatos but the light hadn’t been great when I photographed them earlier. So when the morning broke bright and sunny I took off for the parking lot and waited with the scent of cupcakes hanging in the air… and they came!

Ron Dell’Aquila’s Photography at the Triton

Ron Dell'Aquila - Photography  Triton 2014

I was super excited to attend the opening reception of my friend, Ron Dell’Aquila‘s photography exhibition last night at the Triton Museum of Art.  He was awarded this coveted solo show when he won the Triton’s Statewide Exhibition and Competition (no small achievement) and the show looked absolutely fabulous!

His work ranges from figure as landscape, actual landscapes, portraits and floral abstractions but my personal favorites, which I’ll feature here, are his night scenes from Taipei shot in glorious, saturated HDR!

They all seem to have this quiet, unobserved quality to their worlds which is beautiful, luminous and intimate.

 

Ron Dell'Aquila - Photography  Triton 2014 - Marie Cameron and Shop Girls

These shop girls, shot in a busy night market are beyond gorgeous, their downcast eyes allow the viewer to gaze at their beauty in an extended sidelong glance.

Ron Dell'Aquila - Photography  Triton 2014 Shop Girl 2

Shop Girl 2,  2012   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton 2014 Shop Girl 1

Shop Girl 1,  2012   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton 2014 - Marie Cameron and Pastel Diners

Pastel Diners are exquisite, caught between layers of glass, steam, reflected light, and a narrow depth of field, the subjects are brought into a gentle focus, one that we as observers seem privileged to witness.

Ron Dell'Aquila - Photography  Triton 2014 - Pastel Diners - Tea 2009

Pastel Diners : Tea,  2009   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton 2014 Pastel Diners - Children 2009

Pastel Diners : Children,  2009   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton 2014 -Touch me Here - 2013

Touch me Here ,  2014   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton  Red Lantern Alley, 2012

Red Lantern Alley,   2012   Printed Inks on Archival Paper

Ron Dell'Aquila - Photography  Triton 2014 - Motorcycle tripod

Ron explained how he was drawn to this alley, he just had a feeling about it and once all the people had cleared out he ended up using a motorcycle as a tripod for this shot!

Ron Dell'Aquila - Photography  Triton  Reception 1

Ron Dell'Aquila - Photography  Triton 2014 Reception

Ron Dell'Aquila - Photography  Triton 2014 Reception

Ron Dell’Aquila’s photographs seem stunning here but try to imagine how much better they are in real life! Try to see them. The exhibition runs until November 16, 2014 at the Triton Museum of Art at 1505 Warburton Avenue in Santa Clara, California.

 

Chubu Charmers

Chubu Demitasse Trio with Strawberries - photo Marie Cameron 2014

OK, I find these vintage Chubu demitasse ridiculously charming! They were made in occupied Japan, and I think they are meant to resemble lotus flowers. I’m a little short on lotus today so I shot them with strawberries, which I felt was in keeping with their fanciful nature. The only thing they’re missing are hummingbirds!

Chubu Demitasse with Strawberries  (yellow and green)- photo Marie Cameron 2014

Yummy yellow.

Chubu Demitasse with Strawberries  (lavender and green)- photo Marie Cameron 2014

Lovely lavender.

Chubu Demitasse with Strawberries (Pink and Green) - photo Marie Cameron 2014

And my personal favorite, pink of perfection! Or is it green with envy?

Foggy October Morning

Fall brings fog.

Well at least until the sun burns it off, and that’s barely enough time to change out of pajamas and grab the camera. But the hustle is worth it because the fog cloaks everything in a different light and seeing things differently is what it’s all about.

Foggy October Morn - Crow and Lantern- photo Marie Cameron 2013Foggy October Morn - Fuzzy Owl - photo Marie Cameron 2013

Foggy October Morn - Little Crow- photo Marie Cameron 2013

Foggy October Morn - Drapes of wires and webs - photo Marie Cameron 2013

Foggy October Morn - Rose Hips and Wires - photo Marie Cameron 2013

Foggy October Morn - Black Rose Hip - photo Marie Cameron 2013

Foggy October Morn - Basketball Goon - photo Marie Cameron 2013

Foggy October Morn - Happy Ghost lights - photo Marie Cameron 2013

Minutes later the fog is gone –  like a ghost.

Shooting Dahlias

Dahlia days are almost at an end so I salvaged some still lovey heads from some very floppy and mildewed stems and set about photographing them.

Now whether you are painting from life (or still life) or shooting for later reference – or for that mater, taking photographs for the sake of photography, there are some keys to a successful image.

Shooting Dahlias - Marie Cameron 2013 - low light, similarly hued background

Here you can see that the tungsten light casts a yellowish light over the purple toned flowers and walls, making everything appear monochromatic and flat. I find that natural light is always best.

Shooting Dahlias - Marie Cameron 2013 - overhead

This shot has several things going for it, the natural light from the window really illumuninates and defines the petals and gives a truer picture of the real color of the flowers. The charteruse backdrop provides a nice complementary contrast to the flowers, giving them a dramatic boost but the overhead shot leaves the arrangement ungrounded.

Shooting Dahlias - Marie Cameron 2013 - back lit

In this one, the image is more grounded but the backlighting doesn’t do much for this subject.

Shooting Dahlias - Marie Cameron 2013 - low light, cool, high contrast light

Here this side lighting from the window does a fantastic job of defining the blooms but it’s a little cold for my taste.

Shooting Dahlias - Marie Cameron 2013- Using Flash

I used a flash in this shot and you can see how it flattens the image and is far too contrasty and cold.

Shooting Dahlias - Marie Cameron 2013 - side lighting

Here the light is perfect, warm, natural side lighting gives the flowers and vase great definition, the soft warm green is just enough of a complement to the dahlias without competing and the the black base is a great grounding surface that gives just the right amount of contrast to the image. What about that clutter in the background though? In a painting it could be made to be more abstract and less irritating, but it slightly distracting.

Shooting Dahlias - Marie Cameron 2013 - low light, contrastingly hued background

Oh, finally – the perfect shot! There is nothing extraneous in this shot to pull your attention away from the gorgeousness of the dahlias in their simple but perfect presentation. I think I’m ready to put a new canvas on the easel!

“Dignity and Elegence – ForeverThine”

Dress Form 360

Dress Form 360 Marie Cameron 2013


Vintage dress form shot from every gorgeous angle.

The dress from is such an elegant representation of the female form. It has a quiet feminine dignity that’s removed enough from the flesh and blood version to offer a depersonalized platform from which to make a statement. I particularly love this tattered, antique dress form that I photographed above as you can see her scars of age and the metal bones of her inner core. There is such an austere, worn beauty to her I may paint her as a straight portrait.