In my continuing documentation of RISE: Empower, Change and Action!, the Gutfreund Cornett Art exhibition at Whitney Modern, I’d like to explore the power of the pano and it’s potential to give the illusion of being in the gallery and experiencing the flow of the work….
Wow! This Show!
The Gutfrend Cornett Art exhibition, RISE! Empower, Change and Action Reception and Artist Talk and Walk at Whitney Modern in Los Gatos, California last Saturday was completely uplifting and inspiring with artists as far away as New York sharing the moving inspiration and fascinating stories behind their work.The exhibition is intended to create a dialogue between artist and community together over important issues feminist issues of out time. Click on artists names for links to their websites where available.
The girl blowing bubbles on the cover of the exhibition catalogue came to life welcoming quests to the reception.
Three of the four fabulous curators, Suzanne Whitney-Smedt, (Gallerist of Whitney Modern) Marianne McGrath (Independant Curator), Karen Gutfreund (Activist Curator at Gutfreund Cornett Art and Arist) that pulled together this fabulous exhibition, standing in front of Vanessa Filley‘s (Evanston, Illinois) archival pigment print on cotton rag paper pieces, #Me Too, Minerva Looking, #Me Too, Assata Toward, #Me Too, Gabriela, The Futrure and bedside Indira Cesarine‘s (New York, New York) neon piece, Equal Means Equal. The fourth fabulous curator, Sherri Cornett (Activist Curator at Gutfreund Cornett Art and Artist), was unable to make the reception, and was greatly missed!
Karen Gutfreund, engaging the audience, earlier she had read Maya Angelous’s poem, Still I Rise, in honor of Ceciley Blanchard (Jackson Tennessee) who had based her photographic series, (included in the catalogue) on this poem and was unable to make the reception where she had hoped to recite the poem herself.
Love how the In a Constant State of Rising and Falling installation floats in the “atrium” between Whitney Modern above and Gallery 24 below.
Artist Walk and Talk around the gallery where each artist would speak briefly about their contribution to the show.
Me with my oil on panel painting, In the Pink.
Dana Richardson (Scotts Valley, California) with her oil paintings Burning Woman and Millennial Woman.
Irene Carvajal (Belmont, California) with her screen print on paper, fan and plexiglass tank kinetic sculpture, Future Gains: the dollar is rising. Whe is selling individual bills to help fund her trip to the border to offer her language services to those families who are seeking asylum at the border and are too often being separated and denied their legal rights.
Maeve Grogan (Bend, Oregon) with her Mixed Media and Flashe acrylic painting, Noise & Space Game.
Mague Calanche (San Francisco, California) with her acrylic, oil and wax on wood painting, Todas Trabajamos, Hasta Las Ninas.
Rozanne Hermelyn Di Silvestro (Sunnyvale, California) with her monotype, oil, paper and string on panel piece, Bound.
Penny McElroy (Redlands, California) with her graphite, colored pencil, digital composite, encaustic, metal thread with LED piece, sweet fragrant spring.
Jenny Reinhardt (Summit, New Jersey) with her mixed media on canvas painting Split the Sack and Karen Gutfruend.
Amy Pleasant (Mill Creek, Washington) with her acrylic painitngs, Something Worth Waiting For and On Her Shoulders.
Chandrika Marla (Mountinview, California) with her acrylic on canvas painting, For Our Lives.
Rinat Goren (Woodside, California) with her beeswax, pigment and paper paintings, Finding Points of Agreement 1 and Finding Points of Agreement 2.
Winnie van der Rijn (San Carlos, California) with her photographic image transfer and embroidery on muslin pieces, One Size Fits All.
Karuna Gutowski (Santa Cruz, California) with her acrylic, mixed media and image transfer, Ambient Thoughts.
Paula Bullwinkel (Bend Oregon) with her oil on canvas painting, So The Darkness Shall Be The Light And The Stillness The Dancing.
Sally Edelstein (South Huntington, New York) with a print of her monumental collage, Women’s Lib-A Storms Approaching.
Roberta Aherns (Petaluma, California) with her plaster embedded fiber and acrylic painting on box frame painting, Sepia Dahlia.
Sondra Schwetman (Arcata, California) with her silk, pigmented sewing pins and steel sculpture, Witness. This piece was a Special Award Winner by guest juror, Joan McLoughlin of Mcloughlin Gallery in San Francisco!
Brian Rothstein (Vallejo, California) with his oil painting on canvas, Be Gentle 1.
On the far left of this photo is the monitor displaying even more amazing work that is included in the catalogue but for which gallery space would not accommodate. On the right is Marisa Govin‘s (Talent, Oregon) watercolor on paper painting, Ñust’as.
Pages from Gloria Matuszewski ( Novato, California) mixed media, Altered Book, Gray’s Anatomy.
Gina Herrera‘s (Bakersfield, California) assorted found materials sculpture, Jaunting for Restitution.
Rozanne Hermelyn Di Silvestro (Sunnyvale, California) upstaged by her clear umbrellas, fishing line, silkscreen or laser cut plexi installation, In a Constant State of Rising and Falling.
Viewing Nayda Cuevas (Arlington Massachusetts), oil and panel paintings #latina:Reclaimingthelatinatag.
Anitra Frasier (Dolton, Illinois) was a Special Award Winner chosen by guest juror Jessica Porter (Arts Bussiness Strategest, New York, New York) for her oil on wood painitng, I Think It’s Going To Rain Today, on the left. On the right is Kelsey McDonnell’s (Buffalo, Wyoming) acrylic on canvas painting, Learning to be a Phenomenal Woman, #6 Balancing Time and Energy who was also chosen as a Special Award Winner by guest juror, David Weinberg, (Executive Director of Weinberg Newton Gallery, Chicago Illinois) for her acrylic on canvas painting, No Turning Back.
Sally Edelstein speaking on her work.
Maeve Grogan describing the meaning behind her work. A glimpse of Beth Lakamp’s (Fenton Missouri) watercolor on clayboard panel, that’s the idea and she told them so.
And my favorite photo from the reception, my muse for my oil painting, Feathers hanging with my favorite bubble girl!
A distant peek at Sarupa Sidaarth‘s (Tiburon, California) acrylic, googly eyes, eyelets on canvas painting, Shh.
The League of Women Voters, a non partisan group, had volunteers available at the gallery to register people to vote. Make your voice heard and Vote! 46.9% of those eligible did not vote in 2016 and look where that got us! in the background you can catch a glimpse of Blond Jenny‘s ( Edison New Jersey) c-print, Womanhood, Lindsey Carrell‘s ( Billings, Montana) oil and egg tempera on panel painting, Translate, and Shelly Floyd‘s (Round Rock, Texas) acrylic on paper painting, Struggle to Rise.
Spent the day with Suzanne Whitney-Smedt, Karen Gutfreund, Marianne McGrath and Rozanne Hermelyn Di Silvestro, because it’s more fun to unload a U-Haul together!
Many hands make for light work!
Unwrapping Jenny Reinhardt‘s huge painting Split the Sack.
Rozanne Hermelyn Di Silvestro installing her installation, In a Constant State of Rising and Falling.
The installation can seen from Gallery 24 down below as well.
Laying out the pieces of the puzzle, Nayda Cuevas paintings #latina:Reclaimingthelatinatag.
I brought in my painting, In the Pink, to Whitney Modern on Friday, for the upcoming Gutfreund Cornett Art show RISE: Empower, Change and Action! and was delighted to find the exhibition catalogues hot of the press! It tells us about Gutfreund Cornett Art with its vision of “Changing the World Through Art” and Whitney Modern a much needed Contemporary Fine Art Gallery in the heart of the Silicon Valley, the curators of the show, Gutfreund Cornett Art, Marianne McGrath and Suzanne Whitney-Smedt, the guest jurors: Jessica Porter, Kelsey McDonnel and Joan McLoughlin (and all the special award winners) and documents all of the art in the show with artists comments about their pieces. There are also two important essays on the importance of social activist art and engaging with community by Sherri Cornett and Karen Gutfreund.
Gallerist, Suzanne Whitney-Smedt and Curator / Artist, Karen Gutfreund, (curators for the exhibition along with Sherri Cornett and Marianne McGrath), graciously modeling the new catalogue for me. Catalogues are available at Whitney Modern while supplies last or through Amazon.
165 pages of gorgeous images and inspiring content!
Santa Cruz artist, Karuna Gutowski was bringing in her Ambient Thoughts painting just as I was leaving. It’s in the bottom right corner, just below Scotts Valley artist, Dana Richardson‘s painting Burning Woman. Can’t wait to see the rest!
OK – it’s been over a week now and I really should have had this post up long ago but I’ve been suffering from an art hangover like you wouldn’t believe (unless of course, you were at the party)!
In fact, this is what the inside of my brain looks like now – a cacophony of pattern, lights and color like this giant kaleidoscope by Ned Greene!
Or this detail from Emanuela Harris-Sintamarian’s gouache Die Gesteze der Stukturen!
And here are the synapses of my grey matter firing in pops of dreamy florasl and dandelion puffs of exploding fractals seen here in Carrie Lederer’s Clear Night!
The computer of my mind is overloaded and is threatening to crash (detail from Karen Gutfruend’s CTRT ALT DEL)!
And my dreams are haunted by a blind white rabbit, thank you Tulio Flores and Asiel Design….so here we go – one more trip down the rabbit hole before I move on!
First of all I’d like to thank everyone who made it out to see my Florilegia and shared with me their response to the work – this input is simply invaluable to an artist and means do much! Thank you , thank you , thank you!
And then there were the visitors who seemed like they were exertions of my paintings!
And then there were my art crushes…..like this discarded cigarette packaging piece by Robert Larson. He was able to take something dirty and disgusting and transform it into something sublime! I smelled it too - not a hint of nicotine or anything else. Pure alcmemy!
I also adored this woman’s torso fashioned from safety pins, Lacey by Bob Marzewski, like little stars or snowflakes tenuously welded together.
Lorraine Lawson’s missed media paintings, Bob Marzeweski’s torsos and Tessie Barrera-Scharaga’s Matrix of Chaos, an installation piece of multiple images of the Virgin and kneeling benches.
So easy to get lost wandering through the maze of galleries – at least if you’re doing it right.
Kristin Lindseth’s prints.
Gianfranco Paolozzi’s Journal, enamel, robber paint, glue on recycled role of paper.
Will Marino’s Paradigm Shift , wound and folded paper
Patrick Hofmeister’s Aware.
Malia Landis’s IIiima in Kiawe.
Marianne Lettieri’s Memory Bank.
Lynn Dao’s Domestic Apocalypse
Love the simplicity of this delicate bowl against a simple grey background in this oil painting by Deborah Trilling.
John Hylton’s Moon Watcher, canvas, paint wood.
Monica Van den Dool’s Behold in front of Emanuela Harris-Sintamarian’s gouache Die Gesteze der Stukturen.
Wesley T. Wright – California Coyote – Stoneware, underglaze, glaze, concrete, steel in front of Nanette Wylde’s monoprints.
It was such a delight to meet Natalia Bertotti and Michael Garlington who collaborate on intensely dark, curious and magical images that somehow tap into some cultural core of ours – Grimm’s American fairytale crossed with something ripped out of the headlines of an old newspaper – or rather the stories that was never fit to print or maybe a precursor to a circus side show. They photographed Susan Sarandon in amazing paper dresses here’s a link to this process.
Love the flask action!
I Run Out of Every Side. I’m not even sure what I’m looking at here, but it feels like a pierced and leaking Padora’s Box emptying out into a sea of melting glaciers – a big old barrel of global warming by Briget Henry with Ann Altstatt. Feel free to go with another interpretation!
Grant Wells’s Ocean Structure 1, pigment transfer on canvas.
Tim Craighead’s oil and alkyd on linen, Without Constantini.
Adon Vaneziano’s sculptures.
Brian Taylor’s Changing Nature, photography.
Dotti Cichon with her installation she collaborated on with Jamila Rufaro.
Pantea Karimi and her paper vovelles.
With Lorraine Lawson and her mixed media paintings.
Sara Cole’s Forgotten Women 2 , acrylic, graphite, gesso on paper.
Oleg Lobykin’s bronze Flex Cube.
Ann Sconberg’s photography,Thirteen One and Two.
Quinn Peck’s archival ink jet print on fabric.
Betsy Braun-Kernaghan and her mixed media work.
Michelle Longosz photographs.
A detail from Jenifer Renzel’s The Contraption.
Vanessa Callanta’s self portrait.
Marc D’Estout’s A Briefcase of Puppetry (detail) found objects, fabricated steel, paint, patina.
Joe Uglyeye – Personal Demons – spray paint, screenpaint, acrylic on birch panel.
Denise Harris-Olenak’s Mt. Horeb, Wisconsin, photographic plates on copper and wood.
Beyond the visual art, the big draw go the Closing Bash was the fabulous runway put on by Pivot: The Art of Fashion! The lights the crowds, the fantastic music and and even more fantastic fashion! Above are Charlotte Kruk’s Bossa Nova Bombshells made from recycled Ferrara Pan Chewy Lemonhead & Friends, Lemonhead, CherryHead, Grapehead wrappers!
And her Godiva coat!
Lace design work.
Rose Sellery (left) Charlotte Kruk’s Diamonds Are a Girl’s Best Friend, recycled Tiffany bags and chandelier pieces (middle) Katraa (right)
MC Kim Luke thanking Pivot Oraganizers Tina Brown, Rose Sellery and designers, Charlotte Kruk, Tulio Flores, Katraa, Sudnya Shroff, Ruby Roxanne, Ricochet, IB Bayo and Many others…
Food truck fun.
Rose Sellery’s designs and sculpture
D’Arcy Couture models in front of Khaled Akil’s Requiem for Syria.
Model Izzabelly Santos in IB Bayo.
Pivot MC, Kim Luke in front of
Sunya Shroff’s designs and painting and models in a moment of pre-composure
Pivot models in front of art.
Jessica Hilltout’s phtographs of handmade balls.
Pillar Aguero-Esparza’s multicultural Crayolas on paper.
Pivot model in front of Miguel Machuca’s Orchestrated Religion.
Butterfly model wafting by Teresa Cuniff’s There and Back
Glowing butterfly floating by Alan Silver’s oils on canvas.
Finally alighting on chair sculpture.
The morning after….picking up my work there are still a few remnants from the Art Party – Bill Gould’s sculpture tinkling overhead and the fabulous murals painted with Empire 7 glowing in the early morning sun. Farewell Wonderland, you will haunt my dreams until the next occasional and irrational art fest! Thanks to all involved with Anne and Mark’s Art Party – you’re the best!
Update – I’m delighted to hear that Anne Sconberg and Mark Henderson have just been presented with the Creative Impact Award for their extraordinary vision and hard work with Anne & Mark’s Art Party! So well deserved!
In case you’re still game for more and missed previous Art Party posts, here are the links: