Together We Will at RISE!

Karla Albright of the Los Gatos chapter of  TWW/Indivisible Los Gatos caught the Gutfreund Cornet Art show, RISE: Empower, Change and Action!, the day it opened and approached Whitney Modern for a special tour so the rest of her group could take it in! Though it is a national exhibition, a number of Bay Area artists were happy to get together again and share some of the inspiring motivations behind their social justice work in the gallery.

Please note that if you click on any of the names of artists and organizations, etc, in bold in this post, you will open a link to their website!

Suzanne Whitney Smedt, welcoming us all to her beautiful contemporary art gallery, Whitney Modern, located on the second floor of 24 N Santa Cruz Ave in downtown Los Gatos. The gallery typically represents twelve fine artists but has teamed up with Gutfreund Cornett Art for this specific summer show curated by Karen Gutfreund, Sherri Cornett, Marianne McGrath and Suzanne Whitney Smedt.

Karen Gutfreund reading Maya Angelou’s poem, Still I Rise from the exhibition catalogue, on which Ceciley Blanchard (Jackson Tennessee) had based her photographic series. I love hearing that read (or sung by Ben Harper)!

Irene Carvajal (Belmont, California) with her (what) do YOU think? desk with the positive  messages we’d wish we’d grown up with carved into the wood. You can even take rubbings with the graphite pencils and paper provided, if there is a resonating message you’d like to bring home with you.

Priscilla Otani (San Francisco) with her original braille art book, Political Action Group on democratic women in congress and democratic women running for congress – copies available at the gallery have all sold out but you can still order them through Amazon!

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) with her monotype, oil, paper and string on panel piece, Bound and her mixed media installation, In a Constant State of Rising and Falling.

Winnie van der Rijn (San Carlos, California) with her photographic image transfer and embroidery on muslin pieces, One Size Fits All.

When it came time for me to speak about my painting, In the Pink, I shared how I believed that the Pussy Hat (originally co-created by Krista Suh) became such an immediate, global, viral icon of the Woman’s March because it employed such a feminine voice. It took knitting, a traditionally feminine craft, one that we do with our hands, and our hearts, in our homes or together in groups, using soft, warm, pretty and fuzzy fibers and often give as gifts to one another to wear with pride (a bit of kitty humor) saying in our sea of pink that, “We see you Pussy Grabber in Chief and we do not approve, we will not forget, and we will stand together and march for our rights.” Even the metaphor of knitting one stitch, connected to another, and another, collectively making something bigger than ourselves, is so perfect!

Rinat Goren (Woodside, California) with her beeswax, pigment and paper paintings, Finding Points of Agreement 1 and Finding Points of Agreement 2.

Irene Carvahla (Santa Cruz, California) with her acrylic, mixed media and image transfer, Ambient Thoughts.

Irene Carvajal (Belmont, California) with her screen print on paper, fan and plexiglass tank kinetic sculpture, Future Gains: the dollar is rising. She is selling individual bills to help fund her trip to the border to offer her language services to those families who are seeking asylum at the border and are too often being separated and denied their legal rights.

Chandrika Marla (Mountain View, California) with her acrylic on canvas painting, For Our Lives.

Karen Gutfreund standing with Jenny Reinhardt‘s mixed media on canvas painting, Split the Sack, shared the dismall figures, of the percentage that women artists earn in comparison to their male counterparts, as well as how poorly they are represented in museum shows and what an incredible value their work actually is! Sales continue a pace at Whitney Modern and RISE has been extended to September 9th, 2018 to be included with ForFreedoms a 50 state activist art initiative!

Shannon Edwards from TWW/Indivisible Los Gatos thanking the Whitney Modern and the artists for the evening. Together We Will as a grassroots civil engagement movement that helps to lobby for progressive initiatives, supports candidates and sponsors local events was the perfect audience for RISE! It’s so great to join together like this!

Artist, Winnie van der Rijn and author and speaker, Nilofer Merchant.

RISE! Pano Power

In my continuing documentation of RISE: Empower, Change and Action!, the Gutfreund Cornett Art exhibition at Whitney Modern, I’d like to explore the power of the pano and it’s potential to give the illusion of being in the gallery and experiencing the flow of the work….

RISE! Reception!

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Wow! This Show!

The Gutfrend Cornett Art exhibition, RISE! Empower, Change and Action Reception and Artist Talk and Walk at Whitney Modern in Los Gatos, California last Saturday was completely uplifting and inspiring with artists as far away as New York sharing the moving inspiration and fascinating stories behind their work.The exhibition is intended to create a dialogue between artist and community together over important issues feminist issues of out time. Click on artists names for links to their websites where available.

The girl blowing bubbles on the cover of the exhibition catalogue came to life welcoming quests to the reception.

Three of the four fabulous curators, Suzanne Whitney-Smedt, (Gallerist of Whitney Modern) Marianne McGrath (Independant Curator), Karen Gutfreund (Activist Curator at Gutfreund Cornett Art and Arist) that pulled together this fabulous exhibition, standing in front of Vanessa Filley‘s (Evanston, Illinois) archival pigment print on cotton rag paper pieces, #Me Too, Minerva Looking, #Me Too, Assata Toward, #Me Too, Gabriela, The Futrure and bedside Indira Cesarine‘s (New York, New York) neon piece, Equal Means Equal. The fourth fabulous curator, Sherri Cornett (Activist Curator at Gutfreund Cornett Art and Artist), was unable to make the reception, and was greatly missed!

Karen Gutfreund, engaging the audience, earlier she had read Maya Angelous’s poem, Still I Rise, in honor of Ceciley Blanchard (Jackson Tennessee) who had based her photographic series, (included in the catalogue) on this poem and was unable to make the reception where she had hoped to recite the poem herself.

Gathering to view the work of Carolyn Doucette (Tiburon, California) and Sarupa Sidaarth (Tiburon, California)

Love how the In a Constant State of Rising and Falling installation floats in the “atrium” between Whitney Modern above and Gallery 24 below.

Artist Walk and Talk around the gallery where each artist would speak briefly about their contribution to the show.

Me with my oil on panel painting, In the Pink.

Dana Richardson (Scotts Valley, California) with her oil paintings Burning Woman and Millennial Woman.

Irene Carvajal (Belmont, California) with her screen print on paper, fan and plexiglass tank kinetic sculpture, Future Gains: the dollar is rising. She is selling individual bills to help fund her trip to the border to offer her language services to those families who are seeking asylum at the border and are too often being separated and denied their legal rights.

Maeve Grogan (Bend, Oregon) with her Mixed Media and Flashe acrylic painting, Noise & Space Game.



Mague Calanche
(San Francisco, California) with her acrylic, oil  and wax on wood painting, Todas Trabajamos, Hasta Las Ninas.

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) with her monotype, oil, paper and string on panel piece, Bound.

Penny McElroy (Redlands, California) with her graphite, colored pencil, digital composite, encaustic, metal thread with LED piece, sweet fragrant spring.

Jenny Reinhardt (Summit, New Jersey) with her mixed media on canvas painting Split the Sack and Karen Gutfruend.

Amy Pleasant (Mill Creek, Washington) with her acrylic painitngs, Something Worth Waiting For and On Her Shoulders.

Chandrika Marla (Mountain Vew, California) with her acrylic on canvas painting, For Our Lives.

Rinat Goren (Woodside, California) with her beeswax, pigment and paper paintings, Finding Points of Agreement 1 and Finding Points of Agreement 2.

Winnie van der Rijn (San Carlos, California) with her photographic image transfer and embroidery on muslin pieces, One Size Fits All.

Karuna Gutowski  (Santa Cruz, California) with her acrylic, mixed media and image transfer, Ambient Thoughts.

Paula Bullwinkel (Bend Oregon) with her oil on canvas painting, So The Darkness Shall Be The Light And The Stillness The Dancing.



Sally Edelstein
(South Huntington, New York) with a print of her monumental collage, Women’s Lib-A Storms Approaching.

Roberta Aherns (Petaluma, California) with her plaster embedded fiber and acrylic painting on box frame painting, Sepia Dahlia.

Sondra Schwetman (Arcata, California) with her silk, pigmented sewing pins and steel sculpture, Witness. This piece was a Special Award Winner by guest juror, Joan McLoughlin of Mcloughlin Gallery in San Francisco!

Brian Rothstein (Vallejo, California)  with his oil painting on canvas, Be Gentle 1.

On the far left of this photo is the monitor displaying even more amazing work that is included in the catalogue but for which gallery space would not accommodate. On the right is Marisa Govin‘s (Talent, Oregon) watercolor on paper painting, Ñust’as.

Pages from Gloria Matuszewski ( Novato, California) mixed media, Altered Book, Gray’s Anatomy.

Gina Herrera‘s (Bakersfield, California) assorted found materials sculpture, Jaunting for Restitution.

Rozanne Hermelyn Di Silvestro (Sunnyvale, California) upstaged by her clear umbrellas, fishing line, silkscreen or laser cut plexi installation, In a Constant State of Rising and Falling.

Viewing Nayda Cuevas (Arlington Massachusetts), oil and panel paintings #latina:Reclaimingthelatinatag.

Anitra Frasier (Dolton, Illinois) was a Special Award Winner chosen by guest juror Jessica Porter (Arts Bussiness Strategest, New York, New York) for her oil on wood painitng, I Think It’s Going To Rain Today, on the left. On the right is Kelsey McDonnell’s (Buffalo, Wyoming) acrylic on canvas painting, Learning to be a Phenomenal Woman, #6 Balancing Time and Energy who was also chosen as a Special Award Winner by guest juror, David Weinberg, (Executive Director of Weinberg Newton Gallery, Chicago Illinois) for her acrylic on canvas painting, No Turning Back.

Sally Edelstein speaking on her work.

Maeve Grogan describing the meaning behind her work. A glimpse of Beth Lakamp’s (Fenton Missouri) watercolor on clayboard panel, that’s the idea and she told them so.

And my favorite photo from the reception, my muse for my oil painting, Feathers hanging with my favorite bubble girl!

A distant peek at Sarupa Sidaarth‘s (Tiburon, California) acrylic, googly eyes, eyelets on canvas painting, Shh.

The League of Women Voters, a non partisan group, had volunteers available at the gallery to register people to vote. Make your voice heard and Vote! 46.9% of those eligible did not vote in 2016 and look where that got us! in the background you can catch a glimpse of Blond Jenny‘s ( Edison New Jersey) c-print, Womanhood, Lindsey Carrell‘s ( Billings, Montana) oil and egg tempera on panel painting, Translate, and Shelly Floyd‘s (Round Rock, Texas) acrylic on paper painting, Struggle to Rise.

RISE! – Going Up!

Spent the day with Suzanne Whitney-Smedt, Karen Gutfreund, Marianne McGrath and Rozanne Hermelyn Di Silvestro, because it’s more fun to unload a U-Haul together!

Many hands make for light work!

Unwrapping Jenny Reinhardt‘s huge painting Split the Sack.

Looking good together! Jenny Reinhardt‘s Split the Sack and Gina Herrera‘s sculpture, Jaunting for Restitution.

Rozanne Hermelyn Di Silvestro installing her installation, In a Constant State of Rising and Falling.

The installation can seen from Gallery 24 down below as well.

Laying out the pieces of the puzzle, Nayda Cuevas paintings #latina:Reclaimingthelatinatag.

RISE! – Incoming!

I brought in my painting, In the Pink, to Whitney Modern on Friday, for the upcoming Gutfreund Cornett Art show RISE: Empower, Change and Action! and was delighted to find the exhibition catalogues hot of the press! It tells us about Gutfreund Cornett Art with its vision of “Changing the World Through Art” and Whitney Modern a much needed Contemporary Fine Art Gallery in the heart of the Silicon Valley,  the curators of the show, Gutfreund Cornett Art, Marianne McGrath and Suzanne Whitney-Smedt, the guest jurors: Jessica Porter, Kelsey McDonnel and Joan McLoughlin (and all the special award winners) and documents all of the art in the show with artists comments about their pieces.  There are also two important essays on the importance of social activist art and engaging with community by Sherri Cornett and Karen Gutfreund.

Gallerist, Suzanne Whitney-Smedt and Curator / Artist, Karen Gutfreund, (curators for the exhibition along with Sherri Cornett and Marianne McGrath), graciously modeling the new catalogue for me. Catalogues are available at Whitney Modern while supplies last or through Amazon.

165 pages of gorgeous images and inspiring content!

See?

Santa Cruz artist, Karuna Gutowski was bringing in her Ambient Thoughts painting just as I was leaving. It’s in the bottom right corner, just below Scotts Valley artist, Dana Richardson‘s painting Burning Woman. Can’t wait to see the rest!

The exhibition runs July 18 – August 31 with an opening reception and artist talk Saturday July 21 12:30 – 3:30pm. 24N Santa Cruz Ave, Los Gatos, California.

Blooming Deadwood at Iwasawa Oriental Art

I am very honored to be exhibiting Blooming Deadwood at Kumiko Iwasawa Vadas’ gorgeous gallery, Iwasawa Oriental Art in downtown Los Gatos where Every objet d’art is carefully selected for not only it’s craftsmanship but how it artfully reflects the season and relates to its neighbor! Thanks to Lorraine Lawson, David and Kumiko for your help with the install!

Unveiling.

Measuring.

Placement.

Hanging.

Leveling.

Happy artist and gallerist.

You can take the girl out of the valley, but you can’t take the valley out of the girl! I grew up in the Annapolis Valley of Nova Scotia with it’s orchards flanked by basalt mountains and now I find myself in the Santa Clara Valley, formerly known as Valley of Hearts Delight, famous for its orchards and now more commonly referred to as Silicon Valley. I adore how my painting, Blooming Deadwood, has been paired with Ken Matsumoto’s stunning Floating Usu, carved out of basalt!

I love the relationship pieces have with each other at Iwasawa Oriental Art, especially this Meiji period vase and bird with Blooming Deadwood as a backdrop, can you feel spring coming? I am told their will be cherry blossoms in a few weeks!

Galaxy by Hiroko Ohno, pigment and acrylic on paper mounted on wood panel.

Giclée of Tokyo Waterfall by Hiroko Ohno.

Also, Iwasawa Oriental Art will be conducting their first calligraphy class of 2018 with Kihachiro Nishiura January, 11th e-mail iwasawaart@comcast.net or contact them at (408) 395-2339 to reserve a spot.

Fade – Reception

I had such a wonderful time at my Fade reception at Vargas Gallery last night!  I was told that it was the best attended solo show in the history of Vargas Gallery (since 1986)! A BIG THANKS to everyone who came out – artists, friends, curators, students, collectors and faculty! I feel very honored to show in this space and to have such a great community come out and support me! A special thanks to Lynne Todaro for inviting me to exhibit this work which spans a decade, to my collectors who lent back some key pieces for this show and to Ashley for her help with the install and staffing the show! All the albino deer cookies were snapped up and three more paintings were sold!

An albino deer cookie and it’s inspiration, Bed of Ghosts.

With George Rivera (Artist, Instructor, Curator),  Kristin Lindseth-Rivera (Sculptor, Instructor), Marianne McGrath ( NUMU Curator) and Lynn Todaro (Sculptor, Instructor, Director)

With Tamera Avery (Painter), Kathryn Arnold (Painter), Rozanne Hermelyn Di Silvestro (Painter, Graphic Designer), Karen Gutfreund (Artist, Curator) Susan Kraft (Painter) and Hadi Aghaee (Painter) to mention a few.

I love it when people take a pic with a painting, it is such a compliment! This student had an interesting take on the deer in the nest feelings like birds eggs – such a great fragility association!

Tamera Avery & Kathryn Arnold at the Fade Reception – Vargas Gallery.
I know both of these wonderful artists through the Triton Museum of Art. Tammy has two fabulous figurative paintings in the Salon currently, one (which I’m personally in love with) took first in painting! Kathryn had a stunning solo show, monumental assemblages of abstract painting on sheaves of paper inspired by specific selections of poetry and prose as I remember….how great to see and gab with you both!

Loved seeing my collectors David and Carol Ann!

My dear friend (and collector) Judy who has to be one of my biggest supporters!

Hadi was sweet to help me carry in my albino deer cookies!

Suki Ma has one of my Bird and Teacup paintings and kindly shared the reception with her Art Experience group!

Show continues at Vargas Gallery in the Gillmor Center of Mission College through to the 14th!

 

 

 

Iwasawa Oriental Art

Have you been to Iwasawa Oriental Art yet? It’s a lovely gallery of fine Japanese art, furniture and design serving a very discerning clientele and celebrating their 35th anniversary this year! It’s located at 75 University Avenue in Los Gatos, California.



Kumikio Iwasawa Vadas
, the gracious owner, exhibits work that reflects the changing seasons and is currently showing Water in Life an exhibit that runs until February 28th, 2018. How perfectly this parallels the current Waterlines exhibition at NUMU (where my pieces Stilla Maris and California Water Rites are currently showing) for which she is one of several generous sponsors! She is standing in front of a beautiful work of calligraphy by Kihachiro Nishiura – Sound of Water – Sumi Ink of Canvas. This skilled artist teaches calligraphy lessons at the gallery!

On display in front of the calligraphy are these amazing stone vessels by Ken Matsumoto, the one at the bottom is called Spillway Wash from 2015.

Ken Matsumoto  – Grant Lake RipRap – Unidentified Stone – 2016

A painting from Masamichi Kotaki’s series, Neither a Point or a Line, work that echoes the gestural sweeps of calligraphy in Sumi Ink, mineral pigment and gold on hemp paper from 2006.

This beautiful Urushi or lacquerware green tea container is part of several vignettes of Toriawase in the gallery, the poetic art of arrangement, which is highly evolved throughout Japanese culture and maybe nowhere more so than in the Japanese tea ceremony in which the host can covey more than can be expressed in words with artful, thoughtful arrangements. The Chrysanthemum of autumn, depicted in gold is a symbol of longevity and follows the idea of Shitsurae, the practice of arranging decor to reflect the season or occasion. This piece is an example of Utsushi, where craftsmen look to employ and improve upon traditional imagery and methods, not to copy but to participate in an artistic dialogue that spans centuries.

Not only did I want to share this wonderful gallery with you but also share the exciting news that Kumiko Iwasawa Vadas has invited me to exhibit my triptych, Blooming Deadwood, here in the spring!  We discussed it with a few friends over some lovely plum wine, cheese and crackers after my artist talk at Fade where the painting in currently on exhibit at Vargas Gallery. I am so honored to think of my work adding to the conversation of art and nature that envelops you when you enter this very special space!

Fade – Artist Talk

I was delighted to give an impromptu Artist Talk at Fade (my solo show at Vargas Gallery at Mission College) prompted by my friend artist Lorraine Lawson who kindly rounded up a great group which included people with backgrounds in galleries, marketing and art.  It is a special thing when artists come out to support other artists!

I loved sharing the stories behind these paintings, how I choose both medium and technique to help tell the tale and the symbolism I try to employ.

Telling the story behind Blooming Deadwood.

So nice to see artists Veronica Gross, Dotti Cichon, Lorraine Lawson and Linda Benenati! We are enjoying the suggestion that I get a scissor lift for my paintings like Hung Liu uses!

Sometimes you can better see what’s in your heart with your eyes closed.

Talking about employing chiaroscuro (light /dark) in both the lighting of the figure but also more figuratively in the lightness of the feathers and the darkness of the Bacchanal in the folding screen.

Talking about combining different experiences to create an image, the albino deer of Pine Mountain Lake, the dormant forest at Picchetti, a nest of branches at Kirkwood, the fawns that visit my backyard and the antler drops I have in my studio.

With gallerist Kumiko Iwasawa, Lorraine Lawson and designer Robin Sedgewick.

Kumiko Iwasawa in front of Blooming Deadwood – we spoke of exhibiting at her gorgeous gallery, Iwasawa Oriental Art, in the spring!

Fade Reception Date

Yay!

Director Lynne Todaro and I settled on a date for my Fade reception at Vargas Gallery, Wednesday, December 6 from 4-7 pm. Perfect timing for students, between classes and between holidays. I’m delighted to hear that the show, which began Nov 8, has been getting a great response and I am looking forward to entertaining visitors at the reception! I hope you can join me if you are in the area!!!

These are some of the “artist with her work” shots taken at the exhibit to come up with a show promotion…

Such a lovely space! Vargas Gallery is located in the Gillmor Center in the middle of the Mission College Campus. Gallery hours are Monday  & Wednesday 11 am – 2 pm and Thursday 3:30 -6:30 pm.

 

Installing Fade my Solo Show at Vargas Gallery

I was so delighted to throw together a last minute solo show for Vargas Gallery at Mission College! I’m calling it Fade – it’s a collection of my Fade to White work, exploring albinism and leucism in our flora and fauna, laced with larger pieces I’ve done over the years that touch on themes of vulnerability and tenacity, beauty and mystery.

The show will run November 9 – December 14 (Reception TBA) Thanks to Director Lynne Todaro for the opportunity and to Ashley at the gallery for her help setting up!

Waterlines Artist Talk at NUMU Tomorrow

Please join me for a conversation with curator Marianne McGrath at NUMU tomorrow, Saturday, November 4th. We will be talking about the genesis of my pieces Stilla Maris (drop of the sea) and California Water Rites, currently on exhibit with Waterlines. We will explore my artistic process, my relationship with water and notions of what might be considered sacred. Come and ask me stuff! Share your experience of water and what it means to you!

Here are some panoramic view of the exhibit which includes  (painting, photography, assemblage, installation, video, drawing prints and sound pieces)  by Judith Belzer, Barbara Boissevain, Marie Cameron, Matthew Chase-Daniel, Christel Dillbohner, Linda Gass, Nancy Genn, Liz Hickok, Theodora Varnay Jones, Pantea Karimi, Cheryl E. Leonard, Danae Mattes, Marsha McDonald, Klea McKenna, Ryan M. Reynolds and Linda Simmel, curated by Marianne McGrath.

Several artists exhibiting with Waterlines will speaking about their work in conjunction with NUMU’s Winter Celebration which will run from 12- 4 pm. Check out this link for all the activities (including decorating sugar skulls)!  This is free for all NUMU members, $10 general admission, $6 for seniors, students and military and free for everyone 18 and under.

NUMU is at 106 E. Main Street in Los Gatos, California.

How much is that Doggie in the Window?

“If there are no dogs in Heaven, then when I die I want to go where the dogs went.” – Will Rogers.

A pack of pooches were juried into the display in the front window of Gallery 24 for the month of November. Paintings are by Julia Watson, Kay Duffy, myself, Sandi Okita and Kevin Kasik.

Here’s a close up of my painting, Retriever in the Orchard, a 12″ x 12” oil on panel. I met this beautiful chocolate lab bounding through the historic apricot orchard in Saratoga  between rain showers and piano lessons one spring.

Waterlines Preview Party

Waterlines opened up last night at NUMU with a fabulous, packed preview party for members!  I am so honored to be part of this extremely beautiful show curated by Marianne McGrath with such outstanding artists working in a multiplicity of media and bringing distinct perspectives and sensitive visions and voices speaking to our experience of water. Exhibiting artists include: Judith Belzer, Barbara Boissevain, Marie Cameron, Matthew Chase-Daniel, Christel Dillbohner, Linda Gass, Nancy Genn, Liz Hickok, Theodora Varnay Jones, Pantea Karimi, Cheryl E. Leonard, Danae Mattes, Marsha McDonald, Klea McKenna, Ryan M. Reynolds and Linda Simmel, I have added links to all of their websites which can be accessed by clicking on their names below.

Always a pertinent topic, and especially so in California, NUMU was able to enjoy the support of sponsors such as Badger Meter and San Jose Water Company and Kumiko Iwasawa, Iwasawa Oriental for Waterlines.

Executive Director Lisa Coscino and Curator Marianne McGrath, talking about the genesis of the show and introducing sound artist Cheryl E. Leonard who played transporting music with objects from the sea and layers of recorded sounds from waves and melting glaciers.

Here are some of her instruments, mussel shells, stones, dried kelp flute, stinger driftwood and shell rattles  and sand.

Music by Cheryl E. Leonard,  Video by Oona Stern.

I love how the various pieces in Waterlines seem to be in conversation with one another.

With my assemblage painting with found objects and Pacific Ocean water, Stilla Maris which is Latin for Drop of the Sea and is thought to be the precursor to Stella Maris.

With California Water Rites, my assemblage with Los Gatos tap water.

California Water Rites and Poem

Theodora Varnay Jones – Poem

Christel Dillbohner with Frozen in Time – oil, cold wax on linen and Motionless Torrents – oil on silver leaf.

With Danae Mattes and her Evaporation Pool.

Site Specific Evaporation Pool by Danae Mattes.

Exhibiting artists Danae Mattes and Liz Hickok with Holly Van Hart.

Liz Hickok‘s photographs (sublimation print on aluminum) Lithosphere and Signal to Noise.

Pantea Karimi speaking about her silkscreen, Mapping a Gulf: The Persian Gulf Map and Tour of The Persian Gulf Album with Lorraine Lawson.

Judith Belzer‘s paintings.

Linda Gass with her sumptuous painted silk textile pieces, Owens River Diversion and San Joaquin Merced Revival.

Marsha McDonald – Slough, one of many GIF videos of water.

Barbara A. Boissevain aerial photographs of Bay Area salt ponds.

Barbara A. Boisssevain – Salt Pond Restoration Photo Grid

Matthew Chase-Daniel – Swamp South of Crescent City – photo assemblage.

Nancy Genn‘s Patagonia series casein paintings on canvas.

Linda Simmel photopolymer intaglio etchings, 75kts and 60kts.

Linda Simmel – Book of Seas - gesso/pencil on gampi paper, steel binding.

Ryan Reynolds – Frogshead and Petaluma River – oil on panel.

Klea McKenna Rainstorms & Rain Studies

Klea McKenna

Waterlines runs from October 6 – March 18.  November 4th several Waterline artists will be present to talk about their work (including me) in conjunction with NUMU’s Winter Celebration. I hope you get a chance to see the exhibit in person because my photographs are not capturing the beauty of the work!

Sanchez 50|50 Opening Tonight!

Woohoo – the 9th annual Sanchez Art Center’s 50I50 show is tonight! It’s so exciting to see all this work of 50 paintings in 50 days culminate in this one fantastic night where 60 Bay Area artists, all juried in by gallerist, Jack Fischer, display 3200 pieces of 6″ x 6″ art which get plucked off the wall and taken to new homes!  The preview (from 6-8 pm) is completely sold out and the free public reception (from 8-9:30 pm) is sure to be packed!

 

Here are some snaps from last weekend when I installed Fade to White at the Sanchez Art Center, located at 1220-B Linda Mar Blvd in Pacifica, California. It was the very beginning of a three day install, and the work I did get to see was so good and the rest I’ve been avidly following online…I hope I get a chance to shop too!

 

We were encouraged to offer pre-sales and I’m delighted to share that a full 20% of my Fade to White series, of oil and encaustic paintings exploring albinism and leucism in our Flora and Fauna has been pre-sold!

 

If you’d like to find me tonight, my work is in the West Wing, at the end of the hall with the piano, I hope the pianist takes requests! And if you’re not able to make it tonight, the Sanchez Art Center will be open Friday, Saturday and Sundays through to October 1st with any remaining work.

The Day I Saw That Night in Toronto

The one show I had to see while in Toronto…That Night in Toronto!

Curated by The Jealous Curator (AKA Danielle Krysa), this exhibition of 10 Canadian artists pays tribute to the poetry / lyrics of the Tragically Hip with 20% of sales to be donated to the Gord Downie Fund for Brain Cancer Research! As Daniella Krysa notes, “This show is a heartfelt tribute from one group of Canadians to another – and simply our way of saying, “Hey man, Thanks”. The show at Mayberry Fine Art was slated to run July 1 − 31  but I believe may have been extended…

I have been a big fan of The Jealous Curator’s blog and podcast, Art for Your Ear so I was pretty thrilled to hear that this show she was curating my actually concide with a family vacation in the vicinity. I was stoked to see her playful mixed media collage in person and see a show curated with her fresh and distinctive eye! I didn’t get a shot of everything in this fascinating show but a pretty good representation, where possible I have included lots of links to the artists websites.

Danielle Krysa – Tired as fuck I want to stop so much I almost don’t want to stop – found image and gouache – 2017 (detail)

Danielle Krysa – Culled and wooed, bitten, chewed, It won’t hurt you if you don’t move – found image and gouache – 2017

Sara Genn -We get to feel small - oil on canvas - 2017

Ben Skinner - If Only We Had Nothing To Say – mixed media - 2017

Annyen Lam – In my head the game goes quiet  - lithograph, monoprint, handout paper – 2017

Don Proch - The Gord Landscape with Passing Comet and Jean Jacket Collar – mixed media - 2017

Sean William Randall - I Thought of Leaving it Behind - acrylic - 2017

Meghan Hildebrand - After a glimpse over the top – acrylic on canvas - 2017

Sarah Gee Miller  - What Blue – acrylic and styrene on panel - 2017

Jay Dart – Lookin’ Fer A Place t’Happen - graphite and watercolor on paper - 2017

Joe Fafard - Doves of War – laser cut steel and powder coating - 2017

Ben Skinner - All Of My Heroes Are Women – mixed media - 2017

(with reflection)

My daughter who was tagging along also loved the show…now I need to introduce her to the band!

Mayberry Fine Art is a lovely gallery, just across the street from the Art Gallery of Ontario, where it turns out we even had time to take in the Georgia O’Keefe exhibit and at least 4 of the group of 7!!!

For more on the show here is a link to a video of the show and a CBC Radio review on John Power’s Q.

Oh yes, and here’s the song, That Night in Toronto by The Tragically Hip!