Julie Heffernan at NUMU

We were so lucky to have Brooklyn based artist Julie Heffernan speak with us Sunday at New Museum Los Gatos in conjunction with their current exhibition, More Than Your Selfie.

More Than Your Selfie - NUMU - Julie Heffernan - Self Portrait with Falling Sky - 2011 - oil on canvas - photo Marie Cameron 2016

 

Included in this exhibit is her oil painting, Self Portrait with Falling Sky. As with many of Julie Heffernan’s paintings, she uses the self portrait as a vehicle to explore her relationship with outer and inner worlds in magical settings of fantastic gardens, wild jungles and gilded palaces – all bursting into flame or blossom or fruit, laced with a secret language of survival and hope held in a tenuous, transcendent balance.

NUMU - Marianne McGrath and Julie Heffernan - photo Marie Cameron 2016

NUMU curator Marianne McGrath with artist Julie Heffernan. It was all about the redheads –  in the historic images, in the paintings, and in the audience!

NUMU -  Julie Heffernan - photo Marie Cameron 2016

Julie Heffernan’s talk and slide show introduced us to her early art influences that broke through her suburban Ozzie and Harriet style upbringing on the West Coast – passionate Catholic hagiography and hippy hedonism in Golden Gate park, then onto German figural renaissance with her Fullbright scholarship in West Berlin. While in Europe she was exposed to the likes of Velázquez, Fantin-Latour and Bosch to name but a few and so began her lush still lifes as self portraits, traditional still lifes with contemporary flourishes and mind bubbles. These grew into the monumental, surreal follies, and the epic dystpoias of today which have been fueled by both personal and global events.

NUMU - Julie Heffernan - slide shoe of work 1 - photo Marie Cameron 2016

NUMU - Julie Heffernan - slide shoe of work 2 - photo Marie Cameron 2016

These are but a few glimpses into the slide show that accompanied the talk but a visit to Julie Heffernan’s website is order – also a visit to NUMU and to Mark Zukerberg’s house if you get the chance!  The artist also recommends checking out Elizabeth Kolbert on the environment, Elizabeth Gilbert on creative creative imps the TV series Black Mirror!

Painting an Artist in Her Studio – 2

A real El Niño style rain today – great for hanging out in my studio but not so good for photography –  the color is definitely off in these pictures. I’m excited about how the painting is coming along though and I may have even come up with a title – I’m thinking Menagerie sounds right.

Untitled (for now) WIP 7 PeopleInMyNeighborhood - Marie Cameron 2016

Untitled (for now) WIP 8 PeopleInMyNeighborhood - Marie Cameron 2016

Untitled (for now) WIP 9 PeopleInMyNeighborhood - Marie Cameron 2016

Untitled (for now) WIP 10 PeopleInMyNeighborhood - Marie Cameron 2016

Capitola Rocks

LGAA Plein Air - Capitola - Capitola on the Rocks (WIP) getting there…Marie Cameron 2016


Before

This is how my little 8 x 8 inch plein air painting turned out after I took it back to the studio and messed with it a little…. perhaps there’s a little too much of a warm cast in the lighting but I think I’ve traded some of the freshness of color and application of the earlier stage for  a stability and structure of the final version.

Capitola Rocks - oil on board - 8x8 inches - Marie Cameron 2016

After

 

It’s still a cute painting but that’s the whole thing about plein air –  to learn how to let the immediacy and imperfections of the moment fill the canvas with life and don’t try to beat it to death with notions of what it should look like…… It’s a lesson I have to learn over and over again.

 

 

Studio Visit – Carole Rafferty

I fell in love with one of Carole Rafferty’s paintings. Well, actually, I love all her paintings but there was one in particular that was beyond perfection. It was a little out of my budget but that didn’t stop me from seeing it in person. Maybe if I couldn’t have the painting, I could paint the artist with the painting!

Carole Rafferty Portrait - Marie Cameron 2015

Carole Rafferty with Street Corner #1

I know Carole from the Los Gatos Museum Gallery and the Los Gatos Art Association where we are both members, but she’s also represented by Nancy Dodds Gallery and the Studio Shop and the American Impressionist Society and the California Art Club.  Her studio is in Palo Alto (and has had a fancy reno since I visited it in 2015 – which is nice for her but who else would even notice with all these gorgeous paintings all over the place?!).

Carole Rafferty Studio - Marie Cameron 2015

The artist with a coffee and another favorite painting, Street Corner #2.

Carole Rafferty specializes in urban landscape painting, but everything she sets her brush to has that same dreamy, super skilled handling of paint, light and palette.

Carole Rafferty Paintings in the studio- Marie Cameron 2015

Just look at this lush light and shadow playing across the scene!

Carole Rafferty Paintings in the Studio 2- Marie Cameron 2015

Rafferty’s work is so atmospheric and absolutely filled with the sense and spirit of place…

Carole Rafferty Easel - Marie Cameron 2015

…like this Marnia view that was fresh on the easel.

Carole Rafferty Palette - Marie Cameron 2015

Looking at her tools of the trade, I think, it’s not what you’ve got…it’s what you do with it!

Carole Rafferty Chinatown Lanterns - Marie Cameron 2015

There is so much to learn from this Chinatown painting, Grant Avenue San Francisco. The overall effect of the palette is subtle but there is so much complexity to the color! The peach of the buildings is underpainted in the sky, the green of the awning is echoed in the shadows throughout, the red dots are repeated as awnings and lanterns and lights of the cars. I love too how the figures and cars and relegated to different zones in the painting.

Carole Rafferty Paintings - Marie Cameron 2015

More fabulous paintings everywhere you look!

Carol Rafferty Portrait 2- Marie Cameron 2015

You can see more of her amazing work on her website, http://carolerafferty.com.

Painting of Violet Tea I

Another in my Birds & Teacups Series, Violet Tea I is still very much a work in progress…

Violet Tea I (WIP 1) Marie Cameron 2016

Quick oil sketch…

Violet Tea I (WIP 2) Marie Cameron 2016

Some lovely loose brush strokes suggesting violets…

Violet Tea I (WIP 3) Marie Cameron 2016

Sketching in the background…

Violet Tea I (WIP 4) Marie Cameron 2016

Filling in here and there…

Violet Tea I (WIP 5) Marie Cameron 2016

Wiping off the gestural background that I was afraid was building up too much…

Violet Tea I (WIP 6) Marie Cameron 2016

Blocking in some shadows and loosing my loose violets in a pursuit of realism…

Violet Tea I (WIP 7) Marie Cameron 2016

Sharpening up details, but there’s such a long way to go in terms of drama (which will come from the lighting) in this piece…..I’ll post more when there’s more to see.

Violet Tea I (WIP) 8 Marie Cameron 2016
I didn’t know I was going to go for a greenish background! Such a busy image really called out for a simplified palette.

Violet Tea I - oil on board - 12x12 inches - Marie Cameron 2016

Here is the finished painting, which is now on exhibit at the Los Gatos Museum Gallery.

 

Magnolia Tea I (WIP)

A new Bird & Teacup on the easel today! This time it’s one of the little Dark-eyed Junkos that are always underfoot. This one is nestled into some branches of Star Magnolia that my friend painter Isaias Sandoval had cut for me from his tree. I love the way it’s coming together!

Magnolia Tea I  (WIP) 1 - Marie Cameron 2016

I sketched out the image in magenta oil…

Magnolia Tea I (WIP) 2 - Marie Cameron 2016

Blocked in the darks and mid tones of the background loosely…

Magnolia Tea I  (WIP) 3 - Marie Cameron 2016

Worked in the branches…

Magnolia Tea I  (WIP) 4 - Marie Cameron 2016

Paid some attention to my bird…

Magnolia Tea I  (WIP) 5 - Marie Cameron 2016

Laying in the shadows in the petals and cup, they may look like white flowers but they have a huge range of warm and cool colors (pinks. yellows, greens, treys, lavenders and blues) in both the shadows…

Magnolia Tea I  (WIP) 6 - Marie Cameron 2016

And the highlights…

More tomorrow!

La Niña

Well, I finished my tattooed baby today, at long last!

La Niña - 48x48 IN - oil on canvas - Marie Cameron -2016

This image had been burning a hole in my head ever since I began following the news of Central American children risking everything to escape gang violence in their home communities in El Salvador, Guatemala and Honduras, taking dangerous journeys north to the States where too many have been held in challenging circumstances while waiting for their cases to be heard, 80,000 unaccompanied minors from October 2013 – July 2015, according to Azam Ahmed writing for the New York Times last October!

I wanted to explore the impossible situation of the innocent living in the midst of this kind of violence, being groomed to be the next battlefield should nothing change. I hoped the imagery, drawn from tattoos, would morph into an inviting but nightmarish scenario that would take on a life of it’s own.

I’d like to pursue two more in this series, a little boy, El Niño and a baby seen from the back, El Ángel, hopefully with each one I can achieve a higher level of expression.

Among the Hedgerows and Hydrangeas (WIP)

I’ve started work on a new commission this week which I’m calling Among the Hedgerows and Hydrangeas.  My challenge here will be to blend my realist style with a softer nod to impressionism. I must learn to make sure what I see doesn’t interfere with my creative license!

Initial oil sketch – note the water fountain / urn that will soon disappear….

…Gone….

…..in favor of a garden sprite! It’s loose but not lovely…yet….

It’s starting to get that turn of the century feel I’m after but too loose for my taste, I like a painting, especially of this size (16 x 20″), to hold up to closer inspection.

I think I’m starting to head down that realism path …. no worries….it’s only paint!

 

 

Bamboo Tea I (WIP)

I love to start a new painting with the new week – fresh start, fresh paint and all the those days stretching out before me like an empty road. I was able to race ahead with an image I’d already worked out…a cute, vintage Japanese bamboo demitasse filled with lucky bamboo against the lush pattern of a period cheongsam (that used to fit me). I loved this combination but wasn’t sure what bird to pair it with until I saw these Japanese White Eyes in Kawaii last winter (yes it takes me a while to get to all the ideas I have filled away). I love how their chartreuse feathers and little white eye rings act as a perfect compliment to the vignette.

As usual, I keep the initial oil sketch very loose, making sure only that the teacup is centered.

Next I loosely blocked in the background – there’s not much detail in the fabric anyway  being some kind  of watercolor looking satin and velvet burn out affair (I wish it sill fit me!).

The teacup came next.

Then the bamboo.

Then the birds were roughed in, all I could manage for the day.

Today, with the paint a bit set, I was able to come back in and start working on the details. At this point the birds are starting to develop personalities and the teacup is taking on it’s character. I’ll bring fresh eyes to it tomorrow, but it’s well on it way to being complete!

Mushroom Tea I (WIP)

This week before Halloween seems a good a time as any to begin work on my barn owl.  This bird, who goes by the name of Owlivia at the local Wildlife Education and Rehabilitation Center, is paired with an Aynsley teacup (circa 1939) filled with trumpet mushrooms. I love the woodland magic of this combination – now to try and do it some justice with paint!

Mushroom Tea I (WIP)  1 - Marie Cameron 2015

Loose sketch in oil.

Mushroom Tea I (WIP)  2 - Marie Cameron 2015

Loose dark background.

Mushroom Tea I (WIP)  3 - Marie Cameron 2015

Blocking in the owl.

Mushroom Tea I (WIP)  4 - Marie Cameron 2015

Mushrooms.

Mushroom Tea I (WIP)  5 - Marie Cameron 2015

Teacup.

Mushroom Tea I (WIP)  6 - Marie Cameron 2015

Blocking in the table, feet and mushroom perch.

more tomorrow ( I hope) … the chainsaws are coming….

Mushroom Tea I (WIP)  7 - Marie Cameron 2015

The chainsaws were only intermittent today and I was able to really start laying in some details in my owl and work on the appropriate background contrast to really make her glow. In the white of her face there are lots of other hues – lavenders, blues, greens, ochers and rusts. It’s these subtle variations on white that create depth and volume and vitality.

Chainsaws came back for a few days to finish off the oak so I wasn’t able to complete the painting but at least I have the owl standing on a mushroom now instead of a pair of oversized gulab jamuns!